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Dominique Perrin
Seriality, literarity and popular culture in picturebook studies: a collective contribution to a critical theory of children’s picturebook
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Isabelle Nières-Chevrel
First picturebooks in French publishing during the Second Empire. A short collection at Hachette, an inexhaustible series at Hetzel
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Laurence Olivier-Messonnier
The war picturebooks of Bécassine and the Pieds Nickelés (1913-1919): an example of seriality at the service of classicization and literary posterity
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Anne-Marie Mercier-Faivre
Les aventures de Sylvain et Sylvette, by Cuvillier (1941-1956): between myth and history, an art of simplicity
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Florian Moine et Sylvain Lesage
Martine in the archives. Apprehending serial authorship in the Casterman archives
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Christophe Meunier
The Caroline series by Pierre Probst. A « geographer-series »
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Margaret Mackey
Petits personnages, grands mondes et lecture intertextuelle : la série Lucy and Tom de Shirley Hughes
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Cécile Boulaire
The Barbapapa series: 68e-style handicraft or well-honed branding strategy?
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Eléonore Hamaide-Jager
Mimi Cracra by Agnès Rosensthiel. Does “serial heroine” rhyme with rebel, natural, or timeless?
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Sylvie Dardaillon
Long live Marion or when the modern heroine continues her journey beyond the desire of her creator
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Francis Marcoin
Dora, a series for parents?
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Valérie Alfvén, Marcus Axelsson et Charlotte Lindgren
The Wonderful Adventures of Picture Book Series between France and Scandinavia
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Cheyenne Olivier
Tightened serialities. Creative challenges and closing practices in illustrating a series of children’s picturebooks